If you’re planning to record podcasts, voiceovers, or music requiring crisp, high-resolution audio, the first thing you’ll probably need is an audio interface. An audio interface enables you to get inputs (microphones, guitars, vocals, and so on) into your digital audio workstation (DAW) and listen to them using output devices, such as monitors and speakers.
There are a plethora of audio interfaces on the market, each with its own set of features that may send your head spinning. So, how do you find out which audio interface best suits you and your studio?
In this buying guide, we’ll help you determine what kind of audio interface you need and why. We’ll also list the top 12 audio interfaces on the market, share our experiences with them, and list their pros and cons. Toward the end of this end, we’ll answer some frequently asked questions about audio interfaces in general. Read further to know more.
Roundup of the Best Audio Interfaces
| Overall Best USB Audio Interface | Focusrite Scarlett 2i2 3rd Gen USB Audio Interface |
| Best Audio Interface for Audiophiles | Behringer U-PHORIA UMC22 |
| Best Audio Interface for Podcasting | Universal Audio Volt 2 USB Audio Interface |
| Most Portable Audio Interface | Apogee Duet 3 – 2 Channel USB Audio Interface |
| Best Audio Interface for Professionals | Antelope Audio Zen Go Synergy Core |
| Best Budget Audio Interface | PreSonus Studio 24c |
| Best Audio Interface for Music Producers | Audient EVO 4 USB Audio Interface |
| Most Durable Audio Interface | Steinberg UR44C 6×4 USB 3.0 Audio Interface |
| Best Audio Interface for Studio Recording | M-Audio AIR 192|14 |
| Best Audio Interface for Audio Engineers | Audient iD4 MKII USB-C Audio Interface |
| Best Audio Interface for Macbook | Focusrite Scarlett 18i8 3rd Gen USB Audio Interface |
| Best Audio Interface for iPad | PreSonus AudioBox iOne 2×2 USB/iPad Audio Interface |
Do I Need an Audio Interface for Music Production?
Yes, you need an audio interface for music production. Audio interfaces take signals from microphones and instruments and convert them into a format that your computer and software can read.
There is a discernible variation in the sound produced when you use an audio interface. An audio interface is a must if you wish to record instruments like guitar or piano into your computer program. Having an audio interface is also necessary if you want to connect your computer to studio monitor speakers.
In addition, you need an audio interface if you desire superior audio quality throughout the music production process. For example, we can compare the audio interface to a sound card, except an audio interface is for meeting the needs of audio professionals such as producers, DJs, and musicians.
Things to Consider When Buying an Audio Interface
Keep these five considerations in mind when searching for the ideal audio interface.
Inputs and Outputs
The first thing you should do is make sure that the audio interface you want to purchase in the future has all the inputs and outputs you need. All you want from an audio interface may be a single mic preamp and a direct input on a bus-powered device if you’re a singer-songwriter who spends a lot of time on the road.
Make sure your studio has enough line-level inputs and outputs if you wish to use outboard effects and it is a larger studio.
If you have equipment capable of digital I/O, such as S/PDIF or ADAT, having digital inputs on the interface will make it possible for you to simply increase the I/O of the interface, which is ideal for recording sessions that are more demanding and bigger in scale.
Budget
When building a music studio, one of the decisive criteria for many individuals is their budget. After all, we all want the highest possible quality at the most affordable price.
Keep in mind that there are situations in which investing a little bit more money upfront can provide you far more rewards in the long run.
Quality
When it comes to selecting an audio interface, the build quality is a vital thing to take into consideration. Durability, dependability, and performance are the primary characteristics that most people seek in an interface.
Interfaces with a metal chassis and knobs are preferable since they are more resistant to damage when knocked or bumped. It means you may toss it into a bag and take it with you when you travel somewhere new or capture something in a different setting.
Another essential aspect to take into consideration is the texture of the knobs and switches. These are the controls you will be utilizing daily, and if these knobs feel excellent at your fingertips, you will love using the audio interface much more than you would.
Features
When looking for an interface to record and mix with, it is crucial to keep an eye out for key features such as monitor controls and low latency mixing. Therefore, it is critical to have monitoring with low latency to ensure that the performers can readily hear themselves without any distracting delays when one is recording them.
In addition, having complete monitor control makes it simple for the bot mixing engineer to monitor the mix. It also makes it simple to create artist foldback mixes without having to depend on additional boxes.
The majority of more complex user interfaces will come with software to assist with controlling all of this; the more user-friendly this software is, the better. Another thing to consider is that the software is straightforward to use since you will want to be able to configure your routing at the beginning of a session rapidly. o consider is You’ll have more time for tracking, mixing, and recording as a result.
Some interfaces will also feature fundamental methods for managing your digital audio workstation, which will let you effortlessly modify your levels and plug-ins without the need to utilize your mouse.
Sound Quality
It would be best if you were certain that your interface’s sound quality is excellent. For example, spending a few minutes perusing the manufacturer’s website to check out their technical details is time well spent in almost every circumstance.
A low quantity of noise and distortion is something to watch out for and is called Total Harmonic Distortion plus Noise (THD+N). This value should be as low as possible for optimal performance.
You can also come across a statistic referred to as the dynamic range. The dynamic range is the difference between the loudest and quietest signals the interface can process and is expressed in the decibels. In most cases, a bigger value is preferable. Keep in mind that an interface’s theoretical maximum dynamic range is far smaller than what you’ll hear in the overwhelming majority of modern music.
The frequency response is something else that you should keep an eye out for. The degree to which the user interface can properly handle frequencies throughout the audible range is its frequency response. In a perfect world, you would like the interface to recreate them all the same, but in reality, you will generally see little increases or decreases in volume at certain frequencies. In extreme circumstances, it might be impossible to monitor your mix.
Top 12 Audio Interfaces on the Market
After extensive research, we’ve created a list of the top audio interfaces, including USB audio interfaces on the market today, suitable for use in every recording environment, from professional studios to at-home setups, from complete audio novices to seasoned pros.
1. Focusrite Scarlett 2i2 3rd Gen USB Audio Interface
Overall Best USB Audio Interface
- Outstanding audio quality
- Elegant cosmetics
- Transparent stereo recordings for XLR microphones and 1/4-inch inputs
- Tough and well built
- Excellent value for money
- Portable and simple to operate
- Independent headphone outputs
- We found no issues
If you’re just getting started in audio recording, the Focusrite Scarlett 2i2 3rd Gen USB Audio Interface is the way to go. The Scarlett 2i2 is the best-in-class recording device because of its excellent recording quality, reliable preamps, and reasonable pricing. We have chosen it as the overall best USB audio interface on our list.
The Scarlett 2i2 has a black front panel and a distinctive red shell, measuring 1.9 by 6.9 by 3.9 inches. The inputs and control dials, including the two quarter-inch/XLR inputs with corresponding gain knobs, are located on the front of the device. You can use these inputs for microphones or as direct inputs for instruments, including guitars, basses, and keyboards.
The Scarlett 2i2 seems sturdy enough, but it may get jostled about by the many wires linking it to your computer, headphones, and other devices.
The Focusrite Scarlett 2i2 is an excellent choice for recording voices because of its simple interface and clear signal. The Scarlett 2i2 is capable of clear, latency-free monitoring and generating good recordings. Although it will work with any microphone sound source, the Air mode is perfect for voice and guitar mic recordings.
In conclusion, recording and mixing music or podcasts is a breeze with the Focusrite Scarlett 2i2 3rd Gen USB Audio Interface, a basic stereo input box. It is among the best USB audio interfaces on the market. If you want to get your feet wet in the professional recording, mixing, and monitoring realm, look no further than the Scarlett 2i2.
View on Amazon: Focusrite Scarlett 2i2 3rd Gen USB Audio Interface
2. Behringer U-PHORIA UMC22
Best Audio Interface for Audiophiles
- Excellent all-metal chassis
- Very affordable
- Set up is insanely simple
- Size is convenient and small
- Readily portable
- Excellent built-in Midas Preamp
- Convenient controls and connections
- Only 16 bit
The Behringer U-PHORIA UMC22 understands how seriously audiophiles take their tracks. Hence, it offers a whopping 48 kHz resolution to ensure that the recordings are as crystal clear and precise as possible. It is the best audio interface for audiophiles on our list.
We learned that with this interface, Behringer had created a robust, reliable, and space-saving device. The chassis is made entirely of metal, giving it a satisfying weight in the palm. However, the structure is simple yet functional. Most controls are conveniently located on the back, while the rest are upfront.
We think it’s vital to have a good sound system and create high-quality audio. The UMC22 interface provides 16-bit/48kHz converters and has reduced latency playback for listening on headphones.
You’ll get free software, virtual instruments, and effects plug-ins available for download. Your computer instantly transforms into a robust recording studio with many features the moment you turn it on, and even when you’re traveling.
In conclusion, we think that Behringer U-PHORIA UMC22’s top-to-bottom entry-level audio interface and its beginner-friendly design are its strongest suit. You can set it up quickly, it is simple to use, and it comes with an intuitive suite of applications which are an absolute must if you are an audiophile.
View on Amazon: Behringer U-PHORIA UMC22
3. Universal Audio Volt 2 USB Audio Interface
Best Audio Interface for Podcasting
- Rich, analog tone
- Sturdy industrial design
- Vintage preamp mode
- Very compact
- Simplistic control set
- Low noise
- Includes an impressive software package
- No Input/DAW mixer and loopback ability
The Universal Audio Volt 2 USB Audio Interface is an excellent audio interface for amateur and intermediate artists, podcasters, and streamers looking to get their feet wet. The Volt 2 has a wide variety of free software applications, mic, line, instrument inputs, MIDI I/O, and more, making it a great choice for beginners and intermediate musicians alike.
Upon initial inspection, the UA Volt 2 immediately caught our eye for its attractive design. The unit has a contemporary look and is silver in color. We thought Universal Audio had consciously gone for a more retro and industrial style, which worked well with the built-in vintage mic preamp mode, rather than striving for a more futuristic and sleek UI appearance.
The front panel’s bright orange, red, and green LEDs serve a practical purpose while enhancing the device’s charming retro aesthetic.
The Volt 2 from Universal Audio has a lot of functional features. As we’ve indicated, it takes the mic, line, and instrument inputs and is a 2-in-2-out interface. The Volt 2 supports PC and Mac and has 24-bit/192kHz conversion, but you can also use it with iOS devices like the iPhone and iPad. Also, it records without any lag time and features MIDI in/out ports for live performances.
In conclusion, Universal Audio Volt 2 USB Audio Interface is the best audio interface on the market if you are looking for an easy way to record audio with outstanding studio quality. This audio interface suits musicians and composers to live streamers and podcasters.
View on Amazon: Universal Audio Volt 2 USB Audio Interface
4. Apogee Duet 3 – 2 Channel USB Audio Interface
Most Portable Audio Interface
- Ultra-portable
- Elegant, simple style
- Fantastic sound quality
- Comes with a good carry case
- Duet Dock is an optional replacement for the flying cables
- Built-in DSP enables recording with equalization and compression
- Expensive
- Lacks digital I/O
The Apogee Duet 3 – 2 Channel USB Audio Interface is a portable or desktop audio interface with 2 inputs and 4 outputs. The Duet’s unique breakout wire layout is one of the reasons it is such a great portable interface.
We found that the Duet 3 continues its tradition of unparalleled aesthetics. Apogee has had a friendly relationship with Apple and shares Apple’s minimalist aesthetic. It has a sleek piano-black top and a silver bottom in the style of an Apple product. It’s the perfect complement to your MacBook Pro or iMac.
A single 55 mm rotating encoder is the lone control, under-illuminated by sweetly soothing blue LEDs to allow for easy differentiation between the headphone/main and input levels. The rotary encoder has a great feel, and the design is beautiful. The bottom is rubberized to prevent it from sliding around on your desk.
We discovered the Duet 3 gives astounding clarity while recording and listening back. It can accomplish all that and run its zero-latency channel strip onboard. There is a sufficient gain for all dynamic, condenser, and ribbon microphones.
In conclusion, the Apogee Duet 3 – 2 Channel USB Audio Interface not only feels and looks wonderful but also produces excellent audio. You can carry it easily (and it comes with a nice carrying case if you’re a laptop user), and it doesn’t need a lot of room on your desk. Invest in a Duet Dock if you want to keep it in one place.
View on Amazon: Apogee Duet 3 – 2 Channel USB Audio Interface
5. Antelope Audio Zen Go Synergy Core
Best Audio Interface for Professionals
- Exceptional specifications and audio quality
- Streamlined control panel
- Included Synergy Core affects
- Integrated AFX and mic modeling in a bus-powered interface
- Optional USB power supply
- Included as standard are 37 AFX in total
- We found no issues
Antelope Audio Zen Go Synergy Core is a portable and affordable interface that uses the power of the USB bus to deliver Antelope’s Synergy Core technology to a larger audience. We have chosen it as the best audio interface for professionals on our list owing to its exceptional features.
On closer inspection, we found that the Zen Go Synergy Core interface is very well-made, sturdy, and well-designed. The location of the inputs and outputs is ideal, and it does not make your desk seem chaotic. We would have preferred a large display, but it still serves its purpose. Even without the app, navigating this user interface is straightforward. You can easily learn how to adjust the settings, gain, and output levels after reading or watching a few tutorials.
It has two microphone inputs that are linked. It may be upgraded to four total inputs if you have another interface with SPDIF out, such as the Scarlett 6i6. There are also RCA, TRS, and three front-panel headset outlets, each with its own loudness control and other outputting options.
Antelope Audio Zen Go Synergy Core also has 37 Synergy Core DSP effects built-in, including EQ, reverb, and several distinct iconic guitar amps and cabinet types. The Zen Go is a wonderful interface for guitarists who want to utilize FX without a computer because they utilize the onboard DSP.
As far as performance is concerned, the preamps are loud, clear, and capable of handling high gain levels with minimal noise. The real-time effects are excellent and the control panel is versatile and exceptional.
In conclusion, Antelope Audio Zen Go Synergy Core is a fantastic user interface with which musicians of all skill levels can benefit from recording or having fun. It has excellent processing power and a high-quality audio preamp/EQ, which professionals require.
View on Amazon: Antelope Audio Zen Go Synergy Core
6. PreSonus Studio 24c
Best Budget Audio Interface
- Metal casing
- Has MIDI connector
- LED Metering for input and output gains,
- Very low to no noise levels.
- 24-bit audio quality with high definition resolution
- Very portable
- Windows/Mac compatible
- Close proximity of the gain knobs makes it difficult to grab the whole knob
- Dynamic range is less
- USB cable too short
We have chosen PreSonus Studio 24C as the best budget audio interface when considering the price and the included software. Studio 24C works well for lone musicians or singers just getting their feet wet in the industry. It is a straightforward audio interface available at a great price.
The PreSonus Studio 24c USB audio interface has two inputs and two outputs. First, you may connect two microphones, two Hi-Z, or two line-level inputs to these two inputs on the interface’s front panel. The presence of a MIDI port is another plus. In addition to the two standard inputs, not many audio interfaces in this price range also provide a MIDI connector.
The Universal Control software from PreSonus also offers a loopback feature. It gives you more internal signal routing possibilities if you undertake audio activities other than music production, such as streaming or podcasting. It’s an excellent inexpensive option, especially if you can find it used.
Regarding sound quality, the PreSonus Studio 24c offers the greatest sampling rate of 192 kHz while supporting a 24-bit resolution. The sound quality is respectable for an audio interface of its size and pricing. The high-quality XMAX-L mic preamps included in the PreSonus Studio 24c allow for audio recording in stunning clarity. We were generally impressed by how well the music preserved its harmonic structure.
The drivers are extremely stable, allowing you to leave the PC on standby during work sessions and subsequently restore complete functionality without having to restart any program. The accompanying bundle is a bonus worth considering, especially for those seeking an all-in-one gadget to start computer-based music production.
In conclusion, the Presonus Studio 24c is a user-friendly and straightforward recording audio interface. It is a great low-cost system for aspiring artists, vocalists, and young producers that require a complete package to record their music at home without sacrificing quality.
View on Amazon: PreSonus Studio 24c
7. Audient EVO 4 USB Audio Interface
Best Audio Interface for Music Producers
- Sounds fantastic
- Great value for money
- Smart gain setting
- Extremely portable audio interface
- Bright white LEDs that indicate the gain value
- Very little distortion and noise
- MIDI I/O is absent
- Just one gain knob for all inputs and outputs
Audient Evo 4 USB Audio Interface is a high-quality audio interface with almost no distortion. It’s one of the most compact audio interfaces, and you can take it anywhere, yet professional-grade enough for a dedicated home studio; and we have chosen it as the best audio interface for music producers.
We liked this extremely stylish device, with a sleek all-black matte finish. EVO is a creative, compact desktop solution that sounds amazing thanks to the one-dial, nicely built, and designed solution.
Aside from the auto gain button, the Evo’s top row of buttons is completely black and properly labeled. The big rotating volume knob has been around for a long time. However, moving the interface to the top of the box (instead of the front) is a smart design decision that makes it seem more natural. Turn the power on, and bright lights will flash on the box.
The links are completed by two speaker-outs. The loudness of that output, as well as a number of other levels, are controlled by a single main dial. This is decided by the buttons on the dashboard’s front: 1 and 2, output, and a finishing key that alters the mixing between the signal and DAW. The loudness is controlled via the primary dial while using the headphone socket.
If you’ve used an audio interface previously, you won’t need much explanation for utilizing these controls. To test, we used a condenser mic to record some voices and discovered that the preamps provided a very professional sound with lots of clarity.
In conclusion, the Audient EVO 4 USB Audio Interface is a great audio interface for those music producers just starting. This USB interface comes with a reliable and user-friendly software and the degree to which you can customize the software makes this audio interface a very cost-effective option.
View on Amazon: Audient EVO 4 USB Audio Interface
8. Steinberg UR44C 6×4 USB 3.0 Audio Interface
Most Durable Audio Interface
- Excellent construction quality.
- Pure mic preamps
- Lightweight design
- dspMixFx provides simple operation and adaptable DSP monitoring
- Low latency
- Small portable footprint
- iOS cables are not present
The Steinberg UR44C 6×4 USB 3.0 Audio Interface comes in a high-quality metal casing with brushed aluminum and a black color scheme, which is always in style. This interface outshines the competition in terms of build quality and finishes for the price. The item has a wonderful heft to it, and the controls have a solid, robust feel, making it the most durable audio interface on our list.
Steinberg UP44 has four inputs, both XLR and 1/4″, and it is not much larger than a hardback book. The first two are designed for microphones and acoustic instruments, while the last two are for direct bass or electric guitar inputs via an amp simulator or effects units such as an HX Stomp or Helix.
The UR44c is lightning quick to use thanks to its USB-C processing, and we had no latency concerns when testing it —not even while using the most demanding plug-ins. Steinberg has included Cubase and other latency-free DSP effects with the UR44c so you can begin recording professional-quality audio immediately.
Recording at 32 bits and 192kHz sample rate with Yamaha’s D-Pre Mic preamps is a wonderful place to start. When it comes to mic preamps, we frequently use “natural” and “transparent.”
In conclusion, considering the Steinberg UR44C 6×4 USB 3.0 Audio Interface’s cost, quality, performance, and functionality, it’s difficult to find a better audio interface for the money. It’s perfect for the bedroom producer because of its small size, low price, durable construction, and ease of use since Steinberg places a premium on reducing recording delay.
View on Amazon: Steinberg UR44C 6×4 USB 3.0 Audio Interface
9. M-Audio AIR 192|14
Best Audio Interface for Studio Recording
- Transparent preamps
- Low latency
- Knobs and switches/buttons have a good feel
- Solid construction
- Great software collection
- Professional-grade interface
- Not equipped with S/PDIF Connectors
- Not equipped with ADAT Connectors
- Not powered by USB Bus power
The M-Audio Air 192|14 is a high-quality audio interface for studio recording that won’t break the bank. It’s perfect for professional recording since it picks up everything and has all the bells and whistles you need. So you must get on the M-Audio Air 192|14 if you have a synthesizer set, a sampler, a drum machine, and a standard vocal.
Artists, podcasters, and composers may make the most of their creative endeavors without investing in a huge studio setup thanks to M-Audio AIR 192|14, a compact and convenient audio interface. Thanks to the many inputs and outputs, you can plug in your instruments, MIDI gear, and microphones. Also included are high-quality professional audio editing and mixing software tools.
The M-Audio AIR 192|4 provides excellent performance with 24-bit depth and a 192 kHz sample rate. We noticed a reduction of around a decibel at 20 Hz during testing. After that, the frequency response remains flat up to 65 kHz when there is a second dip in the high end. Furthermore, the mic input on the AIR 192|4 is remarkably distortion-free; therefore, the little distortion that exists is unnoticeable.
In conclusion, M-Audio AIR 192|4 is a wonderful interface due to its high-quality preamps, exceptional recording capabilities, and beautiful design. We believe it would be great for electronic producers with medium-sized hardware studios.
View on Amazon: M-Audio AIR 192|14
10. Audient iD4 MKII USB-C Audio Interface
Best Audio Interface for Audio Engineers
- Excellent preamps and JFET input
- Enhanced dynamic range
- Loopback operation
- Useful extra encoder capabilities
- Utilizable iD knob
- Look stylish and cool
- Lacks a separate control for headphone volume
The Audient iD4 MKII USB-C Audio Interface iD4 audio interface has received an mk2 update. It now boasts an increased dynamic range, signal-to-noise ratio, and headphone output, making it the best audio interface for audio engineers.
Audient iD4 appears sophisticated right out of the box. Thanks to its all-metal construction, it has a satisfyingly substantial weight and a sumptuously soft feel. Having a muted grey finish and matching knobs makes it seem professional and unobtrusive on the desk.
You can feel a good bump when you spin the huge encoder, and the knobs are quite sturdy with just a tiny amount of play. Just the instrument input and dual headphone socket protrude over the rounded front edge, with the rest of the ports located on the device’s reverse side.
Audient’s all-metal iD14 is a simple recording option for musicians with a plug-and-play approach. It also stimulates the input of a vintage valve amplifier, which guitarists may find beneficial. The interface comes with Cubase LE and various plugins and virtual instruments to quickly put down detailed ideas.
We found the sound quality superb, and the collection of features makes them suitable for today’s streaming and podcasting demands. Unfortunately, you can’t record a stereo line signal on the iD4 MkII, so although it’s a great interface for a vocalist with a guitar, it has some limitations as you start expanding your recording setup.
In conclusion, if you’re starting as a recording engineer yet care deeply about sound quality, the Audient iD4 MKII USB-C Audio Interface is your best bet. Moreover, The unit’s preamps alone are enough to pique the interest of seasoned pros.
View on Amazon: Audient iD4 MKII USB-C Audio Interface
11. Focusrite Scarlett 18i8 3rd Gen USB Audio Interface
Best Audio Interface for Macbook
- Warm and clear sound.
- Dual headphone outputs, each with its volume control
- Knobs have a smooth and deliberate feel
- Given the set of features, the price is very reasonable
- Attractive aluminum enclosure
- MIDI in/out ports are integrated
- Stable Windows and Mac drivers
- We found no issues
The Focusrite Scarlett 18i8 (Gen 3) USB Audio Interface is the greatest interface you can get if you’re a music producer on a budget and want to use it with your Macbook for producing music. Focusrite has done it again with their high-quality, low-cost equipment: it sounds excellent, and we love the pricing.
The brushed red metallic finish on the metal unibody chassis of Scarlet 18i8 3rd Gen makes it a good choice for portability, given its durability in the face of travel. Matte black plastic is used for the front and back panels, while the volume and input gain controls are silver, and the hardware switches are white and transparent.
Scarlett 18i8 3rd Gen has four microphone inputs, eight line inputs, four outputs, and two instrument inputs with plenty of headroom. In addition, there are four monitor-outs for switching between two sets of headphones or speakers, making it a great option for studio use and live performance.
We loved that the Scarlett 18i8 is an 18-input, 8-output audio interface that boasts a plethora of input and output options, excellent preamps, and high-quality audio recording capabilities, which showed in the tests we subjected it to. Aside from being very user-friendly, the audio quality of this interface is excellent.
In conclusion, Focusrite Scarlett 18i8 3rd Gen USB Audio Interface is ready to record you anywhere, thanks to its high channel count, small size, and vast assortment of included software. It is an excellent choice for music production professionals who want a stable and high-quality audio interface.
View on Amazon: Focusrite Scarlett 18i8 3rd Gen USB Audio Interface
12. PreSonus AudioBox iOne 2×2 USB/iPad Audio Interface
Best Audio Interface for iPad
- Compatible with Mac, Windows, and iPad
- Solid construction and high quality
- Very transportable and simple to use
- Equipped with 48v phantom power
- Reasonable sound quality
- Comes with StudioOne, an extremely versatile and reliable software
- iPad battery may drain quickly when powered via the interface
PreSonus Audio Box iOne 2×2 USB/iPad Audio Interface is a great option for artists and podcasters on the go because of its many advantages, including its compatibility with the Apple iPad, its small size, sturdy construction, and compatibility with almost any Windows, Mac, or iPad recording app.
Based on our experience, we can say that PreSonus designed AudioBox iOne to function effectively as a mobile interface, so it can take a beating and yet be completely dependable. The audio interface has a metal chassis and knobs/jacks directly attached to the enclosure, making them seem like little tanks to reduce stress on the inside circuit board. You can pack it in your luggage and take it wherever your adventure takes you.
The AudioBox iOne includes Studio One® Artist, PreSonus’ recording and production software for Mac® and Windows®, much like all of its interfaces and digital mixers. PreSonus also highlights iPad compatibility as a feature of the I Series.
You can meet all your audio demands with the AudioBox iOne audio interface. The microphone preamp that comes with the AudioBox iOne is modern and sounds beautiful. The 24-bit, 96-kilohertz digital converters and the robust, high-quality headphone output ensure you will hear every nuance of your recording.
In conclusion, PreSonus AudioBox iOne 2×2 USB/iPad Audio Interface is ideal for newcomers, amateurs, and those on a tight budget. Even though cheaper alternatives may function as well, this unit is still above average. The two-input design of AudioBox iOne makes recording on a Mac, PC, or iPad a breeze.
View on Amazon: PreSonus AudioBox iOne 2×2 USB/iPad Audio Interface
Frequently Asked Questions About Audio Interfaces
To get more inputs on audio interfaces, you can:
Make use of a mixer with audio interface features
A StudioLive would undoubtedly suffice, but unless you also use it for performances, it could be overkill for a home studio.
Aggregate interfaces
Integrate a second interface with your current setup. Core Audio makes it simple to group interfaces on a Mac, whereas Windows’ ASIO is unreliable for this purpose. It means that you must rely on Windows’ built-in drivers. While Core Audio is widely supported, the newer WASAPI drivers offer almost as low latency. You will have to use the more cumbersome and antiquated drivers in this case. It’s also inconvenient to use separate applets to manage each interface, and you’ll need to give up an existing USB port to accommodate it.
Add an optical interface
Adding an optical interface is the best method to increase the number of inputs on your audio interance. This method is compatible with both Mac and Windows. For example, if you record at 44.1 or 48 kHz, you may add an extra 8 inputs per ADAT optical port, making this a very convenient solution. (You can only record four channels at once using 88.2 or 96 kHz, and certain audio interfaces aren’t backward-compatible with optical audio at higher sample rates.)
A dedicated audio interface is not strictly necessary for recording, but we recommend it for those who want to achieve the highest possible quality in their recordings. It may include capturing sound from instruments, vocals, or other sources.
Many professional recording studios and sound reinforcement systems employ the larger Focusrite Pro devices as audio interfaces. Focusrite and Focusrite Pro are two independent branches of the same company that provide high-quality audio interfaces for different audiences.
Yes, audio interfaces substantially impact sound quality, especially in terms of the recording process. So, for example, if you have an audio interface, you can record at a high sample rate and bit depth, giving you a much higher resolution than is typically available.
Final Words
As a home producer or a professional, one of the most crucial things you can do is get a high-quality audio interface. For example, if you spend significant time creating music on a PC or Mac, you must invest in an audio interface.
If you want our recommendation, go for Focusrite Scarlett 2i2 3rd Gen USB Audio Interface because it has everything you can ask for in an audio interface.
Determine what you need your interface to do, then determine how much you can spend on it, and then make an informed decision.
